top of page

beth-moxon.co.uk

"The delightfully animated Natasha Agarwal and Beth Moxon sing and dance with appropriate glee (and occasional fury) as their wives Gianetta and Tessa."
The Reviews Hub

“Beth Moxon switched seamlessly from chest to head voice as the pitch and sense of the words required to provide a fiery account of ‘But who may abide’ (there may be an Amneris in her one of these days)...”

Robert Beale - The Arts Desk

"Beth Moxon's Mercedes... cigarette in mouth, is a mezzo full of ardor and spiciness married well with an alluring gesture"
Pierre Géraudie, Olyrix.com

"Beth Moxon's warmly-sung Dorabella ... acted to perfection." 

Hugh Canning, The Sunday Times








"As the Child, Beth Moxon offers a lovely voice, which manages to be wonderfully soft in the evocative "Toi, le cœur de la rose"
Concertonet

"Enchanting Penelope, mezzo-soprano Beth Moxon masters the character's painful inflections as well as her strength, with the final love duet, full of
finesse and joy."

ForumOpera


"Beth Moxon delivered Ella’s short, declamatory lines with conviction and fluency, while managing to make Ella appear convincingly troubled and lost."
Opera Today

"Moxon puts her arias over with the panache of a cabaret star."
The Stage

bottom of page