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"Beth Moxon's Mercedes... cigarette in mouth, is a mezzo full of ardor and spiciness married well with an alluring gesture"
Pierre Géraudie,

"Beth Moxon's warmly-sung Dorabella ... acted to perfection." 

Hugh Canning, The Sunday Times

As the Child, Beth Moxon offers a lovely voice, which manages to be wonderfully soft in the evocative "Toi, le cœur de la rose"

"Enchanting Penelope, mezzo-soprano Beth Moxon masters the character's painful inflections as well as her strength, until the final love duet, full of finesse and joy."

"Beth Moxon delivered Ella’s short, declamatory lines with conviction and fluency, while managing to make Ella appear convincingly troubled and lost."
Opera Today

"Moxon puts her arias over with the panache of a cabaret star."
The Stage

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