"Beth Moxon's warmly-sung Dorabella ... acted to perfection."
Hugh Canning, The Sunday Times
As the Child, Beth Moxon offers a lovely voice, which manages to be wonderfully soft in the evocative "Toi, le cœur de la rose"
Concertonet
"Enchanting Penelope, mezzo-soprano Beth Moxon masters the character's painful inflections as well as her resistance, until the singing is released in the scene of recognition and love duet, all of finesse and joy."
"Beth Moxon delivered Ella’s short, declamatory lines with conviction and fluency, while managing to make Ella appear convincingly troubled and lost."
"Moxon puts her arias over with the panache of a cabaret star."
"Strikingly mature, both vocally and dramatically. Beth Moxon’s Maurya is the centre to this maelstrom of musical grief."
★★★★ The Spectator
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